Lubaina Himid, Naming the Money (2004) [detail]. Photo: Stuart Whipps, courtesy the artist, Hollybush Gardens and National Museums Liverpool, International Slavery Museum.
The New Museum
235 BoweryNew York, NY 10002USA
June 26–October 6, 2019
The New Museum debuts an entirely new body of work by Turner Prize–winning British artist Lubaina Himid (b. 1954, Zanzibar), marking the artist’s first solo museum exhibition in the United States.
A pioneer of the British Black Arts Movement of the 1980s and ’90s, Himid has long championed marginalized histories. Her drawings, paintings, sculptures, and textile works critique the consequences of colonialism and question the invisibility of people of color in art and the media. While larger historical narratives are often the driving force behind her images and installations, Himid’s works beckon viewers by attending to the unmonumental details of daily life. Bright, graphic, and rich in color and symbolic referents, her images recall history paintings and eighteenth-century British satirical cartoons. In many works, the presence of language and poetry—sometimes drawn from the work of writers such as Audre Lorde, Essex Hemphill, or James Baldwin—punctuates the silence of her images with commands, instructions, or utterances that are at once stark and tender. The exhibition’s title, “Work from Underneath,” borrows from the dictums of health and safety manuals but doubles as a subversive proclamation. With the sculptures, paintings, textiles, and sound works that comprise the exhibition, Himid examines how language and architecture generate a sense of danger or safety, fragility, or stability.
This exhibition is curated by Natalie Bell, Associate Curator.